Yes and No- Synchronicity, Knots & Evil

Yes and No- Synchronicity, Bonds, Knots and Evil.

This is really Coming Clean. Full Circle was once the title of my book Involution, about the omnipresence of memory guiding events. Here you have it. Full Circle in a day.

In the cross hairs of today the past came tumbling in. Not only my own, but the wider circumstances of echoes, of history and the continuing influences of the present past.  Nothing is ever incidental, or accidental, everything contributes. They all take a particular shape by being connected to me, and what that shows is dominantly the ‘yes’: But ‘no’ is always present because their correlations are not simple. So there is more to them and if clear for one, that means for everyone.

I will lay out ingredients. Starting with today.

First thing: I opened a blog post from Sivan Butler-Rotholz’s site called As it Ought to Be. The poem she published was called

HOPE, TRUTH, FEAR, AND MY SPIRITUAL QUEST. YES! By Stephanie Wellen Levine.  

I had never heard of Stephanie Levine The poem searches for the spiritual meaning to be found in everyday encounters and asks (more than once) ‘Isn’t there more?’

 I was so taken with it I re-posted it on here ( see below). I then turned to other work, notably some preparation for ‘selling myself’ to possible agents by writing a literary CV in bullet points. One of those bullet points was this:

  •  Surviving an unrepentant cross-dressing Nazi landlady in Bavaria. Her name was Frau F***, she played Schubert on a windup gramophone, and sailed off in a Mercedes Cabriolet to preserve medieval Regensburg from modernity and take tea with Herbert Von Karajan.
Berghof-Painting-624x442
Hitler’s  House at the Berghof- Painting

Frau Fick (yes German meaning as discreetly indicated) was the widow of a Roderich Fick who worked on Hitler’s Berghof with Albert Speer. While staying in her eleventh century mill I encountered unadulterated Nazism within a short drive of Dachau concentration camp. So I refreshed my facts by reading about Speer who largely escaped the death sentence by acknowledging that he should have known about the holocaust but chose not to. So for him it was ‘no’ but actually really ‘yes’.

While reading this entry in Wikipedia a pop up happened alerting me to a new post from Watkins Bookshop where a lecturer called Philip Pegler was talking about his new biography of a man called Martin Israel. He had been married by Martin Israel ( once he had turned priest) and adopted him as a spiritual mentor and guide. The book was about how to deal with evil and exorcism, and during this lecture he mentioned that the esteemed Martin Israel was not immune to possession and once had had to deliver an Easter sermon while confronted throughout with it.

It happens I knew Martin Israel very well, and I was, I suspect, the ‘evil’ that sat throughout his Good Friday Service. I too had adopted him as a spiritual mentor from a distance ( I was awaiting a divorce in Mexico). He wrote frequently to exhort me to maintain my spiritual path and secure my ‘radiant spirit’ It was giving me rather a hard time. When I reached England and called on him to ask for his help in recovering from a profound series of mystical experiences he summoned the police and committed me to a mental hospital. I escaped and, believing he had mistaken my appeal, ( which was for a referral to a whitewashed room in a monastery where I could recover- since he gave retreats at all of them and held the keys so to speak) I returned to his flat in Kensington. Before I was even admitted over the threshold he re-called the police and I was recommitted on a police order without a single word being exchanged. In one of the most notorious mental hospitals in Epsom I was shackled to a bed with wrist bands in a locked ward. The day room was filled with the terminally deranged in strait jackets and catatonics. If I escaped I would be returned compulsorily. I was threatened with a frontal lobotomy and nobody knew I was there!

Long Grove Being Demolished 1992
Long Grove Hospital being demolished in 1992

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So much for the spiritual ‘loving’ Martin Israel. He had abused not only my trust but his position as a lecturer at the Royal College of Surgeons. He was not a clinician but was prepared to end my sentient life! On the authority of his letterhead. At the time it was incomprehensible, but very frightening.

Shortly after he became truly ill, and incapacitated, requiring round the clock nursing but nothing medically wrong was discovered. He recovered slowly and took orders in the Anglican Church. When I had first met Martin Israel at a conference on Nature Man and God at Culham College, Oxford he was verbally violent about any religious orthodoxy. ‘These people have not begun to wake up’ he said of the assembled clergymen, one of which, the Chairman Richard Milford, had been Chancellor of Lincoln and Master of the Temple, who became a close friend of mine after the Conference. It was he and his wife who rescued me before the lobotomy after Martin Israel has written to them to say they should have nothing to do with me ever again. They ignored that and instead collected me from the hospital and asked me to drive them home!

Which brings me back to the Good Friday Service in Sherborne Abbey: I went to show Martin Israel my ‘recovered’ rational sanity and as I filed past him at the door I held out a hand ’Hello Martin’ I said. He looked straight through me without a sign of recognition. ‘I knew but I chose not to know’ Yes and No. He took the next hand proffered.

That next hand belonged to a woman who had taught me Theology in South Africa. I had not seen her for twenty five years, nor expected her to be there, but she had recognised me and hastened up behind.

‘Do you know him?’
‘I did once’ I said.
‘Well he didn’t recognise you!’ she said, sceptical. Martin Israel was too important to know her ex pupil.
‘Yes he did; he chose not to acknowledge it’ I said.

Yes and No.

Fifteen years after this service this my mother died in Swaziland and I went to bury her. The presiding woman priest at her funeral service had been in Swaziland for only three years. Although she had ruined the occasion ( another story) I invited her to lunch to thank her. On the bank of a sullen river, in a valley of oppressive heat with cicadas almost drowning the narrative, this priest told me she had formerly been a nurse and nursed Martin Israel during this collapsed state during which he had no control of bodily functions, but it was clear he was phobic about women physically. She was convinced his illness was due to repressed homosexuality to which he could not reconcile himself. Her view was that the priesthood was a shelter from himself. Whether true or not it helped me. Yes and No

Lilwala

 

My mother dies: I go from England to Swaziland to meet the only person who could corroborate my own near death/destruction and offer an explanation that made sense.

After listening to the eulogy in Philip Pegler’s lecture today about a man now being lionised and while wondering whether to write about this I received an email from a long standing virtual friend. Brian George has been the most generous supporter of my writing and we have communicated constantly for perhaps three years. He simply wrote to say that he did not realise I knew the poet Stephanie Wellen Levine but that she was a frequent visitor to his salon in Boston. He assumed I must!  I had merely read her poem this morning. Yes and No.

Many years ago I wrote an imaginative story ‘The Obituary’ about a memorial service for Martin Israel when I knew he had died. My way of laying him to rest ( and getting small restitution). Since I had had no knowledge of him since that dreadful time I set it in a part of London that I know well. During this lecture today in which Philip Pegler was pegging out Martin Israel’s last years  he named the church at which Martin Israel presided ‘Holy Trinity, Prince Consort Road’. The reason I know the area well is because my daughter was at The Royal College of Music, almost opposite. That was where the service happened in the story. So again today I discovered I wrote truth, without any knowledge of Martin Israel’s terminal career as a priest. Holy Trinity is right where I planted him. I knew but I did not know. Yes and No.

Evil denied, knowledge denied, mistaken identities all gathered up to weave with unerring synchronicity the links in the chain. It began with a poem and called up friends, the past and the clearest signposts of well thumbed evil in Bavaria. You could not put it in a novel and be taken seriously!

Mindblowing. Even though I knew all of that. When it strikes so coherently it affirms the Yes Yes Yes. As it Ought to Be. As it is.

P.S. The Milford’s ( my rescuers) daughter married the son of the Founder of Watkins Bookshop, and I gave a talk there three years ago. Nothing is for Nothing.

Watkins

 

Addendum ( I hope you will read this because it changes everything.)

Many readers known to me, and perhaps a few that might find their way here will find this searing and personal post inappropriate. The conventions of blogs is to keep it light, general and, if personal, undemanding of emotional investment. I took some courage to defy all those because the circumstances of split second synchronicity arrested me and catapulted me back to a time when thought and outer event were constant companions. Hence the accusation of insanity. The co-ordinates to which I was (at that time) privy made living in time impossible. The ‘Power of Now’ when it is all there is ( for all its theoretical hype and mindfulness applications) is like being buffeted in a stormy sea. There is no anchorage if past and present are all equally available and indistinguishable. So MY first reason for sharing it was because it came as a reminder of the richest inspiration for my life and my work. If you recall I have called Involution ‘The Book that Wrote the Life’.

BUT to implicate the role of Martin Israel and more immediately to make his biographer Philip Pegler aware of an aspect that I suspected he might not know- might prefer not to know-was almost an act of cruelty. Why did I decide to contact him? I thought long and hard before I did but in the end gave him the choice to know- if he wanted to, precisely because my own illusions about Martin Israel’s infallibility had so endangered me (and punished others). My experience of Martin was not Philip’s, and I had to trust that he would sustain his own even when accepting mine differed. It was a huge risk that he might perceive me embittered or pointlessly destructive. What I hoped was to balance what had, from his lecture, seemed an unquestioning admiring and devoted eulogy.

I took a chance and he rewarded that risk with extraordinary generosity. Let me quote from his response. First of all – thank you for taking the trouble to write as you did. It cannot have been easy after all you have been through, and although  you may  find this difficult to believe, I am very glad you did so. I much appreciated the searing honesty of your carefully considered communication, even though it made distinctly uncomfortable reading late at night. It is quite true that I have long respected and admired Martin, feeling grateful for the wise counsel and support I have received over the years, but I would never wish to slip into the trap of heedless admiration of anyone. I have had far too much salutary experience of my own for that.

Philip went on.

Reading your extraordinarily gripping narrative, I can now properly understand just why you are so infuriated to hear anything approaching a eulogy, such as my talk must have come over to you. You see, until now I have never had reason to doubt Martin’s integrity as you have, but I must emphasise that I have also never been under the illusion that he was perfect – and indeed he never claimed to be so in his prolific writings, acknowledging his own failings and irascibility on numerous occasions.
    Your well written account of events is thoroughly convincing and I would not presume to discountenance its veracity or evade darker aspects of Marin’s personality, including the probability of his repressed sexuality. Are you aware that he was physically abused as a child by his own father and openly acknowledged it with great sorrow towards the end of his life? He claimed to be a natural celibate, which may have been true enough as far as it went, but would also seem to represent an escape from a deeper part of his all too human nature, which he could not bear to face.

What this candour and ‘meeting with Philip’ has done is to offer not merely explanation, but to offer me the chance of compassionate forgiveness, and to dissolve the hard knots of gnawing perplexity. From some deep and buried horror of his past Martin felt the need to eradicate me. It was a rejection of himself, and I move from the prevailing anger that has dogged my life to pity and forgiveness.
For that I am truly thankful, truly liberated, and grateful for a secondary rescue, not from insanity but from bitter anger. I trusted the wrong man at the wrong time, and perhaps in the wrong way, with insufficient understanding of his vulnerability. It does not exonerate what he did but I must take some responsibility for tying my tossing craft to a deeply damaged tether. It broke. That’s all.

False Starts- The Price to be Paid?

False Starts. How much do they cost? Another of my beach-comber bottle posts.

Old_medicine_bottle_02

 

Having made a quick sprint to recover this blog, I was called back to the starting line. That dissipated resolve, and led to heavy panting. I am still crouched on the blocks.

The same is happening to the writing of a memoir. I can shape a chapter with some pleasure, but where do any of them fit? It is leading me to ask about the cost of false starts.

As some of my followers know I have recently taken a course whose purpose was to assist defining one’s relevance in this over crowded marketplace, and that course returned each of the participants to their ‘signature story’ their life that had determined their creativity. It was in the life itself that the story begins, and gives the passion to fuel the work.

In my case the life WAS the work, the signature story was written by the Book-to-Come. Every ingredient necessary, every vocabulary mastered, every deprivation cogent. Nothing irrelevant. Okay so far? My life was planned backwards, only I did not realise that, so there was much barking of shins.

I believe this is true of every life; the Soul’s Code to carve out a personal destiny with each sharp knife of experience, whittling away until something steel and slim remains.

Noel and Me 001
Noel- My Christmas Present saddled at the gate 1947

Here’s the problem. Memory is multilayered, not chronological (though some tidy it up that way in autobiography), the important events shine starkly and often without reason or logical context. I can remember some hit-below-the-belt moments that took breath away; my first meeting with a horse whose smell presaged the smell of a baby, not in anyway alike, but alike in their distinctiveness and perfection. Inimitable.  I remember seeing ancient Greek written on a blackboard by a teacher fluent in Greek who teased out the nuances of Agape, Eros, and Charis and I thought that knowledge worth a Persepolis and dying for. I remember a Catholic seminarian singing, on a Lesotho mountain track, Danny Boy in a voice like Bing Crosby’s which made me pine for a country I had never known. These shafts of longing came from other lives and other times. My current one floats like flotsam on those deeper currents.

Try to give such expansions of inexplicable joy any kind of framework (other than poetic fragments) and they enter a straitjacket that rob them of power. I start anew each day, and with each attempt the immediacy is rubbed away, the material worn smooth where it was and should remain, rough or rustic. I am alarmed and increasingly afraid that if I continue they will disappear altogether.

I know that putting one’s house in order, which is what writing a memoir is attempting, is a tidying and systematic process, but for there to be any value in offering it to a reader, it must retain that immediacy, and false starts strip it of vitality. Memory and dreams work best indirectly, from peripheral corners-of-the-eye. Life’s pedantic  frames hang lifelessly, and can be set in any order. The drawers of the decades, open and shut, all over familiar, inter-tangled by unmatched pairs of socks you hope to unite. I want simply to tip them out on the floor and let a reader rifle through them, a circular work without beginning or end.

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Starting at the Beginning?

Here’s the rub. Books are chronological, language likewise, and time is the least important component of Memory’s rich store. You can bid a fictional character to guide your story; your own is already set, and I am not interesting to myself. Since I am not a musician it seems I must accept the strait jacket and allow myself some madness.

Does anyone else feel this? Wrestle with it? Have a work-a-day answer?

P.S. Yes I have read ‘How to memoir’ books, and am now reading other people’s mastery of memoirs. Those are other people’s stories, and retain the fascination of the ‘other’.

Casting Bones: Examining Entrails.

My Place in the Market- a board across two barrels.

Sea-mail._Youve_got_mail!_(6980032762)

I am limping back after a three month break from blogging, and this is the first breaking of the ice of silence. I simply lost any belief that anything I might write would be of interest, so I took a break, not knowing whether it might prove fatal. If I am to write I have to hold to a working title ‘This is for you- whoever you are’

Instead of a holiday I took a course to evaluate my Artmark. My Artmark defines whether what I do holds any allure, relevance, or dynamic for anyone else, so brave, nicht? The moment of horrible truth. This required a further act of courage, to join a group, blind. Groups and me? Dangerous.

Would I go on a river cruise with twelve close-confined retirees, ( who have scrimped for their treat) and lie awake knowing that the veneered plywood between my cabin and theirs would amplify the snoring? Of end up at a ‘regular table’ where everyone has their own napkin ring, metaphorically speaking. I would not. Paddling my own canoe has always seemed safer. Things get rough? Swim. No waiting for a lifeboat, and ‘you first’. I’ve tried quite a bit of ‘you first’ in the past three years, and watched most other authors bear away reviews without a ‘no, after you’.

So I opened up my doubts, like slitting a carcass, to an array of strangers peering at it and poking it in the hope of restoring life. They were kind, to a man; well to each and every woman. Only women seem to attend these kinds of courses. They were all truly generous about the old woman unlikely to rise armed with doables, lists or intentions. I found it difficult to stay straight faced, and nobody seemed to mind. I made a few genuine friends, who may find their way here.

Ivan_Sakhnenko,_The_Anatomy_Lesson,_oil_canvas

The intention was to guide each of us to an understanding of our unique message, and to evaluate how better we might reach our ‘patch of the planet’ (aka PoP). Mine went the way of the weasel. My message has always had one indisputable quality: Uniqueness. That was its problem. We also went through an evaluation of in what ways we ‘fascinate’, in order to learn how best to do more of that. There are some 49 different ways you combine seven  ‘advantages’ to define your style of fascination and as I wrote in a earlier blog mine ended up as ‘Rockstar’ which contributed to the continuing silence.

What do you say after that? You peep down. It did however clarify why the last three years had brought me to my knees. I was trying to fascinate by doing all the things defined as ‘inert’ for me, ( some of the words to describe them are ‘judicious, pro-active, detailed, strategic, steadfast, composed, meticulous) No wonder I was looking like the crawler across the desert, tongue hanging out, for the water,(even brackish) of life! I had not had a sip of much since I was passionate, innovative, bold, artistic and unorthodox, which come (allegedly) naturally. Those had come to a grinding halt, blown over by all the sand of meticulousness. ( all those marketing courses, strategic planning, and twitter techie hashtags.)

Anyway now I know that my Patch of the Planet are all solitaries, like me, and probably don’t join groups ( or not beyond the table outside a quick fry beach café) and unlike most of my travelling companions on this course I do not have ‘services’ to reach my potential ‘heroes’. As solitaries mine are heroic already, and don’t need my help, though I catch the occasional fish to grill and share.

I write. Period. So you will find my posts shorter, because they will fit, carefully rolled, into a bottle for any beachcomber to find.

Thanks to anyone who picks this one up. Write a tick in the sand if you’re likely to come this way again. I’m just waving but no longer drowning. No heroics called for.

By Hariton Mizgir (Own work) [CC BY-SA 4.0 (http://creativecommons.org/licenses/by-sa/4.0)%5D, via Wikimedia Commons

A Reader Friend; in Need, in Deed.

Brian George Reviews ‘Curtains’ A Short Story.

The barns( If you want to read the story itself first sign up to follow and I’ll email it to you)

This restorative generous response to a short story illustrates what readers do for writers. Times have been hard recently and this story was a way to ‘write the wrongs’ like taking a soap scrub to the mind. That any reader found literary survival, more, literary merit in this hose down was beyond redemptive. You never know. It may be an augury that this writer will revive.

Review of Short Story ‘Curtains’ by Brian George ( March 2016)

I have just finished reading “Curtains,” a sad and wonderful piece, in which the author’s stoic reserve portions out all of the twists and turns of the drama, transforming what should be a simple landlord/tenant conflict into something far more primal and lifting the reader to a plane of both empathy and detachment. This stoic reserve exists as a kind of free-floating presence. At one moment it appears as an attribute of the semi-autobiographical protagonist in the story, at another, as a quality of light, and at another, as an encircling awareness of the inevitability of loss. The protagonist of the story, Battered, lives with her husband in one part of a remodeled farm and former music center. She is old, although much younger than her husband, who is ancient, with one foot in this world and the other in the next. If they live in a state of steadily diminishing expectations, this does not relieve them of the need for finding a paying tenant. The antagonist of the story, a supposed New Age therapist and writer, called Curtains, is not quite what she seems. The rhythm of the piece is fascinating, in all of its permutations. Drowsy reminiscence will suddenly give way to crackling confrontation..

At the beginning, the story reads like a haunted pastoral, with a sense of many things left unsaid. The music of the prose is hypnotic, like waves lapping on a darkening shore, with the rumble of thunder in the background. All looks to be serene, but we sense that some form of tragedy will be not long in arriving. To some, the events that follow might better be described as “tragicomedy.” This would be true as far as it goes, yet  each event in the story can be read in terms of what is there and what is not there, as an object that is simultaneously its own shadow. As the tenant moves in, we take note of the many warning signs not heeded, and even the most commonplace objects and exchanges take on an ominous cast. The first small conflicts with the tenant are like the first few raindrops of a storm, the first thin flashes of lightning. Then, when the full extent of the conflict emerges into view, the effect is hyper-real, with details taking on a painful immediacy, as in the aura that precedes an epileptic seizure, with ever stronger flashes of light illuminating a dilemma that is at once both horrifying and absurd.

The story also reads as an editorial comment on the beloved New Age cliché that WE CREATE OUR OWN REALITY. While magic may be real, and a positive attitude can have some sort of a measurable effect, there are also hard, external limits to our actions, beyond which even the most determined may not push. I do not feel that this story is “frivolous” at all, as the author, in an email, argued. If anything, “Curtains” reads like a rural English version of “The Old Man and the Sea.” There is a mournful poetry as well as a mordant humor to the author’s descriptions that transforms the apparently mundane details of events. The modest surface both conceals and reveals the tragic undertow. There is a visceral sense of the scale of the dreams that have been frustrated. There are no grand gestures; there is only matter-of-fact resolve.

Lies are resolutely uncovered and confronted. Much effort is required to remove the worm from the garden. It is something of a mystery, perhaps, that it should have been so difficult to spot a prostitute who had been delivered to the renovated cowshed by her pimp. After so much disillusionment, both personal and cultural, Battered should have been well positioned to spot such a deception. Then again, the most obvious things are often the last ones to be noticed. We remember how as children we put our full trust in the world. Such trust dies hard. However idiotic our judgments, this desire points to a truth which should not be second-guessed. The conflict with the New Age Angelic Hooker Therapist ends with no more and no less than the reestablishment of the normal. If the Genius Loci do not cooperate in the showering of any obvious form of wealth, they are nonetheless relieved. Having struggled with the temptation of bitterness, having exited beyond the noise that had obscured the inner music of the landscape, Battered’s quiet courage returns her to the home that was always hers.

 

Milly grave

Joe Linker comes bearing gifts

 

Two days ago it gave me great pleasure to introduce you to Jose Diez Faixal’s extraordinary paper in ‘The Lyre not the Flute’. One thing I have reason to understand is the gnawing compulsion that follows a gift of vision, gnawing in his case for forty years. (In mine for a little longer) Finding a language in which to convey something that arches across creation, snakes deeply beneath superficial appearances, surfaces only for long enough to catch a glimpse before submerging, and runs contrary to all received opinion makes for a prolonged loneliness.

The labours of Sisyphus must roll vision against the collective gravity of opposition. ‘Who are you anyway?’ echoes in the mind, and enlarges because vision is a gift not unlike  that described by Virgil Timeo Danaos et dona ferentes. ( I fear the Greeks even when they come bearing gifts). 

The Trojan Horse is an apt reference with the capacity to destroy the citadel of sanity.

The compulsion of an idea carries with it a sense of being unworthy for it and inadequate to find a language to do it honour. What makes it worse is the prevailing climate of hostility to anything that challenges orthodoxy, and the assumption that as ‘beneficiary’ of the idea the unfortunate visionary sets himself ‘above’ those he hopes to reach. Who would seek his place when the mockery, disparagement, cynicism, and open hatred is almost constant? Yet he is a Gurkha on Everest, burdened with an obligation to keep trying, if only to shift the load of responsibility, and set it down.

Jose Faixal admitted that he was not looking for what happened. ‘I was focused on vivential and theoretical research of non-dual Reality. I had no intention of proposing any evolutionary hypothesis. But intuition “fell from the sky” and I felt compelled to check its validity. I’ve been 35 years trying to make the testing with the scientific data that I found’.

It gave me such pleasure to walk with him a little way, and take his arm.

Joe Pizza Face by Emily

Can anyone understand what receiving a similar arm unexpectedly yesterday might have meant to me? Joe Linker’s response to Involution came late at night, unheralded, and like a fresh wind off the sea. Not just because he wrote what he did ‘this is a book to live with’ but because I sensed that he understood what saying it might mean to me. Such gifts come from the same place as the original ideas do.

Just when I had resolved to turn from it, and walk away, it gave a wave through him. ‘I might be Okay’

Here is Joe’s gift to me, and it might stretch to being shared. Today gratitude is impossible to express!

Involving “Involution,” a book by Philippa Rees

A Life in Trees

A Life in Trees.Getting to the core. A tribute to nobility, generosity without cessation.

Pelted with Petals? Or Stoned to Death?

Pelted with Petals? Or Stoned to Death?.

The debatable claims of literature in a world gone mad, and perhaps in imminent danger of a Final Solution.

Review of Go Set a Watchman- Harper Lee

Review of Go Set a Watchman- Harper Lee.

Hot words before the tears dry and the work is desiccated by analysis.

Virtual and Sometime Friends ( Really Careless Talk!)

Virtual and Sometime Friends ( Really Careless Talk!).

A general view halloo after weeks of neglect. Hope some are still within hailing distance for nothing either important or demanding. I, too, can chew the fat!

Oyez Oyez…Last call for the Jury in the Trial of Involution. Closing Arguments: 1 Prosecution

Oyez Oyez…Last call for the Jury in the Trial of Involution. Closing Arguments: 1 Prosecution.

Do cross the road to the other site and join the debate? All welcome for a penn’orth