EXCITEMENT SPILLS OVER! A Glorious Revelation. (In Seventh Heaven-literally!)
Pythagoras has come to dine
With Plato as companion
Musicians tune his Universe
His octave soup in fractions
The fundamental harmonies ( they heard in the Aegean)
Were suspended til maturity
Clamoured for a cadence
Yesterday I received , out of the blue, a cadence: the first ever indication that a scientist (in the broadest sense) considered Involution-An Odyssey….scientific! How a Spaniard who does not speak English easily had discovered my book is yet to be revealed but more importantly he sent me the most exciting and independent corroboration- a paper he had been working on for almost as long as I have on Involution: forty years. Involution suggested that collectively the recovery of memory had returned us to the Aegean philosophies of the pre-Socratic Greeks. Let me remind you first…
Kepler’s tunes are newly sung,
All coheres, perfection’s
Mathematics of the mind
Was always intuition.
That microcosm in the man ( the macrocosm’s fractal)
Held the secrets of the Universe
Heard in contemplation.
Let me first explain the title of this post and its relevance to the work of Jose Diez Faixat.
Plato in the Republic suggests that in a just society the flute (auylos) should be banned. It is immoderate and impure unlike the lyre, in which the harmonics follow the mathematical proportions.
In the case of the auylos, (flute) there is no necessary, direct correlation between the mathematical proportions of its physical structure (e.g., distance between finger holes, for example) and the sonic harmonies it produces. Or rather: to produce sonically consonant frequencies–to get the instrument ‘in tune’ so that it sounds the right notes–the auylos’s physical structure is mathematically disproportionate. If you think of a contemporary oboe or bassoon, they keys are neither evenly spaced nor do they follow systematic mathematical ratios like the 12:9:8:6 ones Pythagorean harmony uses. This is what Plato’s referring to when he says, for example: “in the case of flute-playing, the harmonies are found not by measurement but by the hit and miss of training, and quite generally music tries to find the measure by observing vibrating strings. So there is a lot of imprecision mixed up in it and very little reliability” (Philebus 56a).
Not only does the pattern govern the ways by which creation has happened through time but in the development of each and every individual which recapitulates these precise periodicities, in uterine time. And continues in the development of the man thereafter, from absorption and necessary preoccupation in the physical world, the emotional world, then mental, then spiritual, tracing the seven Chakras which are the legacy (and integrated governance) of the evolutionary journey retained in every fractal (individual).
Why is was exciting for me will be obvious to anybody who imagined that Involution- An Odyssey was a vague and unsubstantiated hypothesis given a veneer of poetic licence. Almost nobody involved in science has taken it seriously, as science. Jose Diez Faixal does not talk of memory but shows a harmonic progression in an orderly and accelerating ( higher pitch) complexity, that simply allows no room for chance of any kind. In that, his evidence maps across Involution as a purposeful, orderly process of self determination ( co-creation) newly integrated in greater complexity at precise moments in time. This implies a fundamental harmony for each, within all. Our relationship with everything is total! Not simply in origins but continuing in mental and emotional patterns throughout life.
Was there any idea more seductive or exciting?
In the long term, according to our pattern of rhythms this path will lead not to the “belief” in the world of the Absolute, but rather to “empirical” evidence of our own identity with the Absolute Itself.
His evidence is more precise than Involution ( the fossil record and the history of ideas is better documented than the recovery of memory) but essentially the message is the same- active co-creation from Alpha to Omega which is also Alpha to a new cycle.
Here is the start and the link to ‘Beyond Darwin’. It is worth deep reading and sharing. Please do.
AbstractThis article surprisingly reveals the existence of a very precise spiral rhythm in the emergence of the evolutionary leaps that mark the history of the universe.The proposed hypothesis is very simple: just as in any musical instrument successive second harmonics (1/3 of the vibrating unit) progressively generate new sounds; these same second harmonics generate all the major evolutionary novelties in universal dynamics as a whole. It is truly surprising that such a simple proposal is found to be precise and categorical when cross-checked against historical data. Let us see.
Fitting our ‘periodic table’ of rhythms to the date of the appearance of matter –the Big Bang– and of organic life, we see that every single instant of the emergence of successive taxonomic degrees of human phylogeny is marked out with utter precision:Kingdom: animal, Phylum: chordata, Class: mammal, Order: primate, Superfamily: hominoid, Family: hominid and Genus: homo! The same then occurs with all the stages of maturation of our primitive ancestors: H. habilis, H. erectus, archaic H. sapiens, H. sapiens and H. sapiens sapiens! Once more, the precision of our hypothesis is repeated in the successive transformations that humanity has experienced in its more recent history: the Neolithic, Antiquity, the Middle Ages, the Modern Age and the emergent Postmodern Age! If, as we see it, all these stages resoundingly fit the provisions of the ‘periodic table’ of rhythms that we have proposed, it is more than likely that our hypothesis may also provide the key to glimpse the successive phases yet to be deployed in the years to come in an ever-accelerating process that will eventually lead to a moment of infinite creativity –Omega– within a couple of centuries.
All this is, indeed, unexpected and surprising, but is now almost certain when we verify that the same hypothesis that has behaved with utter precision when applied to the process of global evolution, also does so when cross-checked against the process of development of the individual human being! Within the same time frame, with the same pattern of folding and unfolding, and passing through the same stages, our ‘periodic table’ of rhythms periodically marks out –step by step– the successive phases embryologists, developmental psychologists and spiritual teachers talk of, thus confirming the old idea of phylogenetic-ontogenetic parallelism and pointing very specifically to an astonishing fractal and holographic universe.
It is impossible, absolutely impossible, that all this accumulation of linked “coincidences” –in both the field of overall development and that of individual human development– highlighted in this paper is the product of mere chance. The conclusions that emerge from all this clash head on with many assumptions of predominant materialistic science. Our proposal, which provides a better fit to the presented data, points to the non-duality of energy and consciousness, as posed by many traditions of wisdom. From these pages, we invite all our readers to participate in this emerging experiential and theoretical research in which dazzling prospects can be glimpsed.