Writer, Poet, Impudent Philosopher: (Pulling the gold thread from the grey weave.)
Author: philipparees
A writer ( mostly narrative poetry) of fiction and non-fiction. Self publisher of fiction and Involution-An Odyssey Reconciling Science to God (Runner-up Book of the Year (2013), One time builder ( Arts centre) Mother of four daughters: Companion of old man and old dog: One time gardener, lecturer, wannabe cellist, mostly enquirer of 'what's it all about', blogger and things as yet undiscovered.
“Really?” I said in a weak voice that imitated a woman who’d just been told that her mother-in-law was about to become her new roommate. Or that new federal regulations on sleep had been voted into…
Reposting this from my friend Shelley Sackier is also one way I add my hopes for us all, and good things in the coming year to all my facebook friends. A very happy Christmas from me to all. P
This poignant post ( and the song Tumbleweed) has a curious effect- on me- and I loved the juxtaposition of the images. Whiskey Girl and Nowhere Man remind me of a couple I know. They may recognise themselves if they find their way here!
[Several years ago I came upon this story of this married duo on Facebook. It seems that Amy had died from complications of her kidney disease and her partner Derrick killed himself a few days later. The entire drama of their demise took place in social media. The story still haunts me. Their Facebook page still exists at https://www.facebook.com/Nowhere-Man-and-a-Whiskey-Girl-32839047843/ -KHF]
It began with a post from Amy Ross on FACEBOOK.
AMY: Hey kids! Bad news! I died this morning and Derrick didn’t know how to tell you. I love you all and hope you go out and be nice to someone. Funerals are a bore so hopefully I don’t have one. Give Derrick some space… He stinks at this stuff so leave him be for now. Thanks for all the kindness… Please spread it around. -Whiskey
Juliya Pogrebinsky Listening to you was one of my absolute favorite things about…
Spotting Genius- It’s Characteristics, its Temper and Significance.
Having spent much of my life marvelling at the explosive gifts of genius, and spotting a new example last week, in an unexpected discovery of Ruth Finnegan I thought to try and put a finger on the pulse that distinguishes it. Let me start with a draft poem. (I am no longer spending time with polishing- but hack out a brief economy since I have been accused of pointless perfectionism!).
Hunting The Shakespeare Snark- Genius on the Loose.
‘I stood on the shoulders of giants’ Newton said, in rare modesty.
He never meant elevation. A wider view.
The perspective from a vantage point
A Rugby scrum’s exuberance. To lift aloft a worthy Captain of endeavour
No, the devilling, sifting, panning has been done
Leaving gold gleaming, shining in the seams, the streams, the flowing thought of water.
The debris of collective labour was the reclamation heap
haphazard, strewn and half submerged
after others had discarded, and moved on.
Unbonded by design until he sat relaxed
to feel a gravitas, that binding law of all.
in dunes of trickling sand, apples fallen,
carved into caves by feeding wasps…
Feathers in Pisa
dancing curvatures of gentle challenge
for which poor Galileo once gave answer ‘eppur si muove Signore…’∗
Though he could not, after that.
Insight it was, not diligence.
Once flooded, diligence tramps along to make a way.
Solid stones of logic, a rope across a gorge;
Twists an equation, plaits a verse, sweeps a landscape, paints a play.
Dedication is maddened vision, urgent for corroboration and one gift of ‘Yes’.
You could be right. ‘How foolish not to think of that’.∗
The inner vision, coaxes out,
Extends a hand towards the growling bear of solitude.
Feeds an altered hunger, new, aroused
Blinded by shafted splintered light, genius ventures out.
Tentative on the turned new earth of change.
It may take his weight, mire his delusion, evaporate like morning mist burned off.
He has been bit: He must go on.
Once aroused, the hunger will persist for it can no longer feed on arid plains.
It may starve, endure a century of ridicule, grovel for a blade of green
Until the tungsten light secures one bowl to hold its liquid truth.
Genius is Creation’s nib, whittled and split to hold the ink
Of IN-sight. An inflammation that will spread, turn feverish,
dampen sheets, ignite a blaze, until submissive and all spent,
confused.
Sight brings servitude. Genius is the lowly ass
(As loaded as that one to Bethlehem)
Whose message is unwelcome
Premature.
Puncturing the palm on the small and open hand of time.
∗All the same it moves ( the Earth round the sun)
∗ Thomas Huxley on reading The Origin of Species.
I might as well be hung for a lamb for I shall expand. The misuse of genius to describe the Big Personality, David Bowie, John Lennon, Steve Jobs and their ilk of theatrical exhibitionism, or inventive acumen (however wow or timely it may be) is the devaluing of an important concept- genius is not simply originality ( though that is one hallmark), not cleverness, not reading the easy drift of tide, but a porous availability to the rushing gale of urgent messages for Man. That is how I see genius-the minion who bridges the present and the future while the counter-crowd draws on the past, and trails its popular authority as the acid test of worth.
Traversing Mongolia without a yurt. The Journey of Genius.
Why Mongolia? Scarcely inhabited, barren of much comfort, no pre-ordained or clinker roads to determine a crossing, and decidedly cold and windswept at first glance.
That is the landscape faced by genius; genius impelled to tread out a vision.
Genius has become almost a dirty word, over-used, dubiously ascribed to success (which almost defines its misuse) and applied to easy competence, self-belief or aggrandisement by those who cannot tell the difference. Its over-use in such instances has melted its meaning to vapour.
So let’s start again. When I use the word I look for its tell-tale spoor, as I would if following a Yeti, Dinosaur or three toed sloth. It emerges unexpectedly from some cave of solitude; its first steps are tentative because this gait is entirely new, yet it gains confidence simply by treading into the unknown, never tempted to return. For it is armed, no, not armed, but infected by a disease, the disease of certainty. Of what is it certain?
Of valid vision.
The vision is undefined, except by the inadequacy of what pre-existed it. Space was made for it before it grasped a truth. That truth demands a language, but that language will be new, shaped to be understood by very few, those few will already know of the existent inadequacy, but have started to hunger for an alternative. They are ready. The soil of acceptance is high up a cold mountain, a small patch of possibility, and genius must plant there. To begin with that truth takes root roughly, grows raggedly since it has not grown before. It has no morphic field to resonate in the collective;yet. It will be battered by winds of opposition, uprooted by ridicule; but cuttings will be taken surreptitiously, to flourish in the hot houses of acclaim. Those cuttings will never thrive beyond a short span for they have been severed from the vision that gave them life.
Each new vision must forge its own language: For the lucky it might be a mathematical equation, for others it will be a dogged search through the debris of thought, or the clues left by ancient civilisations sifted with a sable brush; for the truly transported by vision it will be poetry, which is permitted greater freedom to remain half defined and stay closer to its fluid origins. It is always bigger than language; all language fits it ill.
The Malaria of Genius
Genius has been bitten, fatally bitten by an all encompassing, blood and brain suffusion, and its constructions match that holistic landscape. They tend to be complete in themselves, a fast link in a chain or compendia that like a tsunami take all with it. Homer and his Iliad/Odyssey, Milton with Paradise Lost and Found, Gibran’s The Prophet defining all elements of relationship, Dante and his tripartite Divine Comedy, Goethe with his ever renewed Faust, nothing excluded, nothing irrelevant. Genius may be difficult to define but not to recognise. (Unless you have a vested interest in denying it space) for it speaks below the brain, in the unity that is shared and instinctively recognised because it is already known.
That unity, from Faraday’s lines of force, Maxwell’s fields, Einstein’s space-time, is the testament of genius, for it has drunk deep on certainty and its rivulets spread uncontained, and a whole life may be given to directing and expanding that flow. Nobody understood relativity, but relativity took root and changed the whole of physics, but has taken time to invade biology through neuroscience, or sign a new contract with chaos theory.
The paramount signature of genius is its facsimile to its closest kin; madness- and obsession, but unlike madness the breastplate of certainty protects the genius. He/she has been gifted, and is shacked between the shafts of service to the vision, to the unique need for the new language, and to the obligation to impart and to safeguard it.
Promoting, or promulgating a vision may be the closest to its service a genius might get, but its specifics once imparted can be left to themselves, which brings me to the infection. What decides who will be bitten? Who will shine with that indefinable light?
I have given much of my life into seeking an answer to that question, the artesian wells of inspired ideas or creations must lie where the crust of collective thought is thin, for although genius is mostly a maverick solitary, the eruptions are often synchronous, as Farkas Bolyai wrote to his son Janos urging him not to delay publishing his work “When the time is ripe for certain things they appear at different places in the manner of violets coming to light in early spring”.
This seems to extend the ‘chosen’ to a pregnant collective urge, seeking out the vulnerable through which to impart new understanding.It begs many questions about the prevailing idea that brains emit rather than receive consciousness! It is more likely that brains are chosen by consciousness through which to express itself.
One thing is apparent: The belief that these great geniuses have somehow assembled new understanding by a thoughtful selection and rearrangement of cogent reclamation has to give way to perceiving that the understanding came first. Insight knew and structured the search for evidence or inspired the language by which to convey what was not yet clothed. Or in any state to be transmitted. The sheer scale of the creations of genius could never be undertaken by anything less than certainty.Academics and intellects will work on good ideas that will find funding, genius will take a job in a patent office in Berne, and reflect on the clock at the end of the road.
The book I reviewed in the last post, Ruth Finnegan’s Blank Inked Pearl I believe was one such ( which is why, although not flawless judged against other works, it will prove a classic- the imaginative construction of language to quote emotion where feeling is unquestioned- the raw substance and subject of language) and the next one I hope to review, though very different in language is equally mind-blowing. It uses the chisel of intellectual analysis to de-cypher a fallacy and proves every idea about Shakespeare false; but since our collective incarceration of the Bard is so (literally) entrenched it will have a harder time breaking through. The intellect was merely a tool but will be mistaken as THE argument. Another post dealt with Jose Diex Faizat’s extraordinary insight ( and examinations) of the harmonic intervals followed by evolutionary changes at the diminishing nodes of time’s tripartite (Trinitarian?) sub-divisions. More than forty years of a man’s life are not spent on an hypothesis. He examined the whole of creation , the structure of time as the harmonic intervals of celestial music. Another Symphonic Dance to the Music of Time. Or the reincarnation of Johannes Kepler?
Brave new ideas are sensitive To antigen attack by the body politic.
Genius walking amongst us, walks unrecognised and lonely, but there are distinguishing stigmata as well as light emanating, and much labour (and little but labour) to reshape vision under whole new empires of conquest. Genius is about reaching for the All. Close to Divine.
Invitation to Feast; A wholly- Holy Original Bouillabaisse Book.
I fell upon this extraordinary work as one might spot an encrusted amethyst on a walk in a dark wood, picked it up, licked, sleeved, polished it; Still its full depths await new light, full warmth. Any opinions offered are bound to be personal, since it calls out only the connections a reader might make. Further ones will emerge, since its richness is the boundless ocean of experience, not merely the author’s but the compendium of the human race, as explored in every myth, and the great echoing symphony of poets, their piping lines now a piccolo, now a Beethovenian thunder cloud.
I can think of no comparable work, but there are echoes of others, ‘By Grand Central Station’ that searing lamentation of loss, came to mind, Brief Encounter was there Blake’s Songs of Innocence and Experience and Gerard Manley Hopkins sat like a goat on a rock and approved. Elizabeth Barrett Browning counted the ways, Eliot’s rose garden was inviting through an open gate; it was all of these, woven anew, since the literature we recognise has been transmuted and flows in our sparked recollections.
For this was a bouillabaisse, gathered ( as the author clarifies) in a succession of sequential dreams, transcribed in the dawn before their light faded. Who would edit the authority of a dream? Or seek to tailor it to the conventions of fictional structure? You take a dream as you must take this book, whole. As it comes. You do not choose your dreams, they choose you.
It masquerades as fiction, for that is the only shelf on which it might be shouldered, yet it is autobiography, and memoir, gathered as fresh salad in leaves of impressions, spiced with asides ( for the author is no great respecter of the straight face) but above everything it is the pure poetry of the Celt. Her Donegal childhood, its rain driven sleet, its barren beach, on which her first unsettled dream was denied, thread through this search for the Seeker, the Divine Lover, who is also the Sought, the Self; the journey we all make.
In that way it is the universal longing, tossed into the steaming cauldron of a single kitchen, the ingredients of one life lived, opened to itself, and playing with the words that might capture it, words toyed with, strung along, amputated, chopped with the sharp knife of humour, or permitted to fall on the floor in an excess of delight in their power.
No Celt can escape W.B. Yeats or Joyce, their inflections and their cornucopia of inventive language is in her blood and bones, as Catholicism is, with its spare and lean injunctions, a world of habited nuns, their admonishments, as well as tempered affections. Dreams are timeless, and this elderly oh still-so-young author gives us the ‘thyme of ever time’ in her passing through the ever-time of Adami and Yifa ( Adam and Eve) in Africa where ‘God was sitting up above, a snooze after nut an’ apple lunch, not payin’ heed’. Delicious disrespect! Yet in it more devotion than can be captured.
One longs to quote, but once begun where would it end? The ‘fragrant soughing song of boughs’ will tempt you into Eden, the ‘Rumi, ruminating Persian poet’, will reassure you’re on the right path, Gustave Dore’s illustrations of Dante with loom into focus, and the ‘journey through the snake oiled business world of persuasion’ might give pause. You will encounter Tygers burning bright, the lonesome wolf, and a gibbon at sunrise in this journey through yourself. The purpose of a review is to persuade a reader to read. Say too much and they might feel they do not need to.
I cannot say too much, nor nearly enough. This is a work that evokes all the glory of what man is capable of, and I feel I know this author intimately, for her celebration of the simplest beauty of the natural world as well as her affections for her dead dog Holly who ‘would never take to a new master, wouldn’t know her wants, her mistress-throw-stick likes, dislikes, that she must never catch the squirrel, didn’t want, don’t try to stop her, hurt back, fondle love her pull her ears and gentle…’ Anyone who has loved a dog will find it anew in her love for Holly.
There is a subterranean philosophy, which like the wise serpent stays hid, only to momentarily appear, so that its lessons might remain when the delight has been digested.
‘Old and new make the warp and woof of every moment. There is no thread that is not a twist of these two strands. By necessity, by proclivity, and by delight, we all quote’
‘And as the tides follow the moon, as the winter the autumn….as the earth rounds the sun…as man has ever turned to woman and woman to man’ ‘She saw the present in her past, the past in her present’
This work is the past and present of us all, hung in the sun, re-wrapped and new given. A truly phenomenal work that bears the hallmark of the gift through the chosen visionary, like Kahlil Gibran’s Prophet. An unbelievable mastery of language (and new inventions) and of love, free of coercion or sanctimony.
I am me …and that is how I want to be’
Oh what a wonderful gift, this book! Before it becomes embossed with the word ‘classic’ find it, as I did, serendipitously, and rejoice.
There is something incredibly magical about the transition from October to November. And by magical I mean mostly spine-chillingly creepy. I cannot begin to keep count of all the happenings around …
Apost from Ashen reminded me today was Poetry Day and since she wrote a portrait of a friend I thought I’d follow suit. This is in memoriam to the home a painter and mother of five filled, that now lies empty, unchanged. When I wrote it she was alive and I wrote it for her.
Sailing Folly Cottage
Boat, below the saddle of hill, rides the sway-back hummock grass
Moored against the end of the lane; tilts a chin to the drifting cloud,
Blows smoke kisses to the wind and rain; hails all elements as friends
None entering or passing by need wipe off feet or hands.
The door in permanent spasm can neither close nor stay ajar.
Bless-me sun has a needle stuck on a gap-tooth grin of spring
Shadows that have shed their shoes pull at bramble and wild colt,
Bulging tool-shed tethered with chain on the off-chance it might bolt.
Two gumboots, silent gaffers, relax on the broken step
Ignored by planters, iron pots, overflowing matted grass…
Closing their sun-blinded eyes; chew at smothered bulb…
The old boat rocks at anchor strain, its song a creaking hull.
Kneaded by fingers of babbling babes; kicked by bruising boys,
Stage for smashing arguments; quiet nights of mutual bliss…
Wringing out cold compress to bleeding black-eyed divorce;
Serene it coasts vicissitude; gives two masts to local reproach.
……………………
Beyond the marina of teak-oil stone; exiled by the well-heeled wharf,
The flotilla of circling circumspect homes; each with a view of the green,
Sailing across the well clipped grass where shaggy goats were tethered..
The Common much less common since corduroy Colonels moved in.
Beyond the watch at double door the Labrador flicks a frown
To passing ladders, green eyed cat; the Thatcher with next season’s quote,
Pop-in friend with lists and flowers…
The trial of the fancy-dress demand of the children’s annual fete…
……………………
A narrow jetty stretches into the hill to the quarantined boat, patently ill;
Moored out of sight; buckled by hedge, swift sluicing course…
Peeling skin in scrofulous flakes onto cracked and rising flags,
Rusting pails and harness for the broken-winded horse.
An isolated case of trust in a simple right to decline
In company with the Captain who is eighty (if a day)
She’s the tiller on her children’s lives, the tea-caddy of their coin;
She wears a waxed all-weather cape below a sharp white crown
She doesn’t stop to give a damn, nor does Sparky her clown.
Two years ago this month our last beloved collie died. Having written a poetic tribute to her ( here) we have gradually become used to the sense of absence. Life is flatter, the day without a wag of celebration or the need for disciplined walks. A dog’s life it is no longer, but a dog’s life it now feels.
Recently the urge to try again has been festering. But here’s the thing. We are too old and too arthritic to contemplate a puppy. Yet it seems an adopted dog is a half formed affair, a love born of need ( both ours and any-old-dog’s) one with a time limit ( our decrepitude and a dog’s need to age in synchrony) and a substitute for the choice of that glossy coat, that starred bib, those soulful eyes and then the bond that comes from mutual training, mutual acquaintance and the growth of mutual tolerance. The thread of an infant dog is twine that snakes through every routine, we grew up together, didn’t we? We both know where all the balls are buried.
Shall I re-home a half breed dog, a mutt mongrel of no known pedigree, and when people ask simply say ‘I felt sorry for this abandoned cur and we hang out together. Don’t ask me why.’ ‘Nobody else wanted it; I suppose that explains it.’
It occurs to me that this is a parallel for my own condition. Anybody willing to re-home this similar runt of an author? Rejected by so many trial homes? The latest promised well; a home that advertised the persuasive search for ‘your signature story’ and had me biting out fleas from my matted coat? I do have quite a flourish signature story ( nearly as many curlicues as the Virgin Queen) so, with a will, I re-launched a shiny new website ( this PHI one) that has garnered even fewer pats than the previous version. Then I visited the home that promised my ‘first ten thousand readers’ and asked me to ‘funnel a free book’ to hook in a devoted following who will sniff out my continuing hot off the press, book-a-year series with as-clear-a-genre markings as a Dalmatian. Or ‘get together with other similar authors and box a set for a mega splash‘ Yeah? Who might they be? This beach I occupy is deserted.’Oh you’re the intellectual indie‘ they said when I tried.’ Not much of a fit.’ Nobody realises that my signature story is as contra-intellectual as ‘Hello Magazine’? Not so much flesh, granted.
None of my potential ‘funnels’ are any kind of guide to my smelly genre which changes as the seasons do. ‘Fergetit, Novellas are read only by the French, not cool. Short stories? Nah. Now whaddya got besides?’ The home that blasted an advertisement ( for a whopping fee) and gave me the first respondent ‘Not very modest are you?’ I yelped a protest ( It wasn’t me wot wrote it sir) and slunk away.
I had been whimpering quietly, and to myself for years and thought ‘ah well, these professionals should know what they’re about. Time to bite back modesty and accept help! Let’s PAY to be re-branded!’ I was branded a boaster with fire tongs. Szzzz. Ever smelled burnt hair?
That was after I had become house-trained in the independent author kennel. I tried not to foul my concrete run; I had given before asking (some thirty odd reviews of demanding books) and four for a single small, no, not small-minute, publisher. Not a peep of ‘how can I help you, need a run? Stretch your legs? I hung out the Twitter taping and Facebook bunting, and made metaphorical cup cakes for the indie street gang. Don’t get me wrong, I enjoyed doing it, because Oh, I was young and easy under the apple boughs, about the lilting hope; licked any hand extended, but now I curl up with a chin on my paws, time holds me green-and-dying-and-all-that. Even my favourites are scrambled. Purity never pays.
Once in awhile I get thrown a snack ‘I bought your book, really enjoying it but wonder whether you might…?’Or the publisher who suggested he’d like to republish part, but ‘Here’s the deal. You pay set up fees, you buy review copies ( at a mere 55%), you repurchase unsold books and I authorize any publicity and hold the copyright for five years of the one you have already managed to publish’ The one already published that ‘magnum opus’ doorstop I bravely put about when I was a young and agile trainee in agility classes , wiggling through tunnels of editing and clearing those hurdles of high-flying endorsements. You just try endorsements without an intellectual pedigree! To be allowed to think you have to have letters, peers, published papers, and tenure.
Even those endorsements were a humiliation ‘Send me the script in hard copy by next week when I have a holiday window’ Fifty pounds and four months later ‘I have not had time unfortunately to read your script, but leave it with me, I’ll see what I can do’. That was three years ago. The worst but far from the only. So under this plastic tunnel I lurk, and the rain spatters down.
I don’t even look up anymore. I watch the adoptive readers walk by for the breeds they recognize, the Spaniel romances, the Red Setter spotted crime, the Labrador litters that wrap ‘cosy mysteries’ in loo roll. They get film rights when they grow up to join the opening credits of Downton Abbey? What IS a cosy mystery? A mongrel doesn’t stand a chance. Especially a grey muzzled one.
I still wag a tail for a kind word. I have a few and very valued occasional visitors, and some stay to talk awhile, but a home is fast fading.The tramp of the 20K a week soft porn and pecs drowns out the whistle I was hoping to hear.
Any suggestions? Anyone with an idea? I’d accept a modest outside kennel and write to order? Sod expecting to sell. Is anyone like this dishy owner who turned up for my companion when we were both dreaming of adoption? His mentor was envisaged, and conjured up with horn rims and a lovely smile. Led him away for a life of adoration.
Now that I have watched my kennel companion’s happy valley I realise I am not even a hound dog. I am a pangolin without a neck to take a leash, a iguana with swivel eyes and bristles; I am in the wrong department.
Since I seem to be getting nowhere with anything I thought I would resurrect a creation that I prepared earlier. Still edible I think!
Check Mate
‘Come at me from a new direction, find me by surprise’ I said to it, taking to my French box-bed and pulling the duvet under my chin. This is on a bank holiday and I’m not even tired, just tired of walking about with the same thuggish head on my shoulders, and tired of the options it monotonously offers. Bed is my way of saying no to all of them. It is my head I am talking to, or perhaps more accurately, my mind. I have after all, carried this same old mind about for over sixty years; it seems totally unappreciative, gives me no thanks. It never leaps up with a new idea or puts a posy on my pillow; those that appear new, on analysis, are simply re-assembled from older reclamation. I recognise all the components however painted over. I could do with a change. I’ll find a way to shut it up.
So I try to recover my old skill at meditation to put it in its place, imagining my muscles turning to stone like a weighty Henry Moore nude welded to a plinth and impervious to drifting leaves in some anonymous park. Mind protests.
‘You think it’s that easy huh?’
It feels rather more like weighting a tablecloth with odd pebbles, so insistent is the flapping of windy thought. Ok then, I’ll conquer you with a book until sleep defeats you utterly. My mind gives me the two fingers.
The choice within reach is limited; the best thing on the locker this rainy noon is Virginia Woolf and her seductive solution; that all one needs is five hundred a year and a room of one’s own. I have both, but what she left out was the mind to go with it. If you were continually thinking her limpid, clear running-water thoughts which refresh every rock they flow over, you might even do without the five hundred. Anybody who can turn prunes and custard into a philosophy should be an alchemist.
‘I could do that, if I wanted to. It just never seemed worth it; I mean who cares?’ says Mind.
I pretend I cannot hear. I can’t quarrel with Virginia on any matter, not even her sly suggestions about George Eliot’s constraint and bitter social constipations- although George Eliot has always been hailed as our family’s most illustrious connection- the only orchid amongst our African daisies.
‘That’s why your pretentious Aunt decided to fly solo and give away that autographed first edition of Daniel Deronda, (destroying all the evidence just to collar all the glory.) I tell you something else; Daniel D was probably discreetly flogged to pay for a new catalogue for the smiling librarian, since Rhodes in the Eastern Cape is hardly on the George Eliot walkabout’.
This is the sort of monotony I’m talking about; tracking through arid claims without fresh water, hoping that some new succulent will sprout a flower. I already knew all that. I can’t forgive anything that hammers a point.
‘You’re a fine one to talk…Now no doubt we’ll get on to Elizabeth Barrett Browning’ says Mind yawning ostentatiously ‘can’t you leave it out?’
I could but I’m damned if I will. It’s their influences that have brought me to this point. The real reason I value whatever connection I have with George Eliot is the same as I derive from Elizabeth Barrett Browning-(Grandmama being a lesser Barrett, not that ‘lesser’ was a word she understood)- simply that they both ran off to do their own thing, in their metaphorically divided skirts. Wedlock was a serious one to pick in those days. Elizabeth, from her Italian roof-garden had it about right, but she probably started my rot of dreaming too insistently…‘What was he doing the great god Pan/ Down in the reeds by the river?’
I know Mind will interrupt if I give it half a chance. It’ll say that originality never needs to quote, but that’s only because it can’t be bothered with the storage problem. Mind is an insubordinate secretary, who refuses an in-tray and prefers to clear the desk daily. It has never bothered to even file the archive that blows about in any gust under the cellar door. Going back to those two women; they were models not in the literary sense (that came later but never seemed to help), but in the ‘don’t expect to depend on a man’ sense, the mantra in a family consequently bereft of men. I took it much too literally; discounting the possibility that any man was any use at anything. You begin to see the difficulty. Mind, full of seductive rags, makes only heavy quilts in repetitive patterns, under which one takes refuge on a Bank holiday.
‘Nothing wrong with that. You need to remember Victorian thrift and candle light. What’s the hurry?’
Sod off. I do want to make clear I start at the opposite end of Virginia’s arguments about women weighted down by the superior authority of men, and struggling to be born, shedding skins like snakes. Men were simply posturing fools playing at soldiers, in one sense or another. So it proved.
‘I could have persuaded you otherwise. You just never listened to logic or mastered statistics’
This is really Coming Clean. Full Circlewas once the title of my book Involution, about the omnipresence of memory guiding events. Here you have it. Full Circle in a day.
In the cross hairs of today the past came tumbling in. Not only my own, but the wider circumstances of echoes, of history and the continuing influences of the present past. Nothing is ever incidental, or accidental, everything contributes. They all take a particular shape by being connected to me, and what that shows is dominantly the ‘yes’: But ‘no’ is always present because their correlations are not simple. So there is more to them and if clear for one, that means for everyone.
I will lay out ingredients. Starting with today.
First thing: I opened a blog post from Sivan Butler-Rotholz’s site called As it Ought to Be. The poem she published was called
HOPE, TRUTH, FEAR, AND MY SPIRITUAL QUEST. YES! By Stephanie Wellen Levine.
I had never heard of Stephanie Levine The poem searches for the spiritual meaning to be found in everyday encounters and asks (more than once) ‘Isn’t there more?’
I was so taken with it I re-posted it on here ( see below). I then turned to other work, notably some preparation for ‘selling myself’ to possible agents by writing a literary CV in bullet points. One of those bullet points was this:
Surviving an unrepentant cross-dressing Nazi landlady in Bavaria. Her name was Frau F***, she played Schubert on a windup gramophone, and sailed off in a Mercedes Cabriolet to preserve medieval Regensburg from modernity and take tea with Herbert Von Karajan.
Hitler’s House at the Berghof- Painting
Frau Fick (yes German meaning as discreetly indicated) was the widow of a Roderich Fick who worked on Hitler’s Berghof with Albert Speer. While staying in her eleventh century mill I encountered unadulterated Nazism within a short drive of Dachau concentration camp. So I refreshed my facts by reading about Speer who largely escaped the death sentence by acknowledging that he should have known about the holocaust but chose not to. So for him it was ‘no’ but actually really ‘yes’.
While reading this entry in Wikipedia a pop up happened alerting me to a new post from Watkins Bookshop where a lecturer called Philip Pegler was talking about his new biography of a man called Martin Israel. He had been married by Martin Israel ( once he had turned priest) and adopted him as a spiritual mentor and guide. The book was about how to deal with evil and exorcism, and during this lecture he mentioned that the esteemed Martin Israel was not immune to possession and once had had to deliver an Easter sermon while confronted throughout with it.
It happens I knew Martin Israel very well, and I was, I suspect, the ‘evil’ that sat throughout his Good Friday Service. I too had adopted him as a spiritual mentor from a distance ( I was awaiting a divorce in Mexico). He wrote frequently to exhort me to maintain my spiritual path and secure my ‘radiant spirit’ It was giving me rather a hard time. When I reached England and called on him to ask for his help in recovering from a profound series of mystical experiences he summoned the police and committed me to a mental hospital. I escaped and, believing he had mistaken my appeal, ( which was for a referral to a whitewashed room in a monastery where I could recover- since he gave retreats at all of them and held the keys so to speak) I returned to his flat in Kensington. Before I was even admitted over the threshold he re-called the police and I was recommitted on a police order without a single word being exchanged. In one of the most notorious mental hospitals in Epsom I was shackled to a bed with wrist bands in a locked ward. The day room was filled with the terminally deranged in strait jackets and catatonics. If I escaped I would be returned compulsorily. I was threatened with a frontal lobotomy and nobody knew I was there!
Long Grove Hospital being demolished in 1992
So much for the spiritual ‘loving’ Martin Israel. He had abused not only my trust but his position as a lecturer at the Royal College of Surgeons. He was not a clinician but was prepared to end my sentient life! On the authority of his letterhead. At the time it was incomprehensible, but very frightening.
Shortly after he became truly ill, and incapacitated, requiring round the clock nursing but nothing medically wrong was discovered. He recovered slowly and took orders in the Anglican Church. When I had first met Martin Israel at a conference on Nature Man and God at Culham College, Oxford he was verbally violent about any religious orthodoxy. ‘These people have not begun to wake up’ he said of the assembled clergymen, one of which, the Chairman Richard Milford, had been Chancellor of Lincoln and Master of the Temple, who became a close friend of mine after the Conference. It was he and his wife who rescued me before the lobotomy after Martin Israel has written to them to say they should have nothing to do with me ever again. They ignored that and instead collected me from the hospital and asked me to drive them home!
Which brings me back to the Good Friday Service in Sherborne Abbey: I went to show Martin Israel my ‘recovered’ rational sanity and as I filed past him at the door I held out a hand ’Hello Martin’ I said. He looked straight through me without a sign of recognition. ‘I knew but I chose not to know’ Yes and No. He took the next hand proffered.
That next hand belonged to a woman who had taught me Theology in South Africa. I had not seen her for twenty five years, nor expected her to be there, but she had recognised me and hastened up behind.
‘Do you know him?’
‘I did once’ I said.
‘Well he didn’t recognise you!’ she said, sceptical. Martin Israel was too important to know her ex pupil.
‘Yes he did; he chose not to acknowledge it’ I said.
Yes and No.
Fifteen years after this service this my mother died in Swaziland and I went to bury her. The presiding woman priest at her funeral service had been in Swaziland for only three years. Although she had ruined the occasion ( another story) I invited her to lunch to thank her. On the bank of a sullen river, in a valley of oppressive heat with cicadas almost drowning the narrative, this priest told me she had formerly been a nurse and nursed Martin Israel during this collapsed state during which he had no control of bodily functions, but it was clear he was phobic about women physically. She was convinced his illness was due to repressed homosexuality to which he could not reconcile himself. Her view was that the priesthood was a shelter from himself. Whether true or not it helped me. Yes and No
My mother dies: I go from England to Swaziland to meet the only person who could corroborate my own near death/destruction and offer an explanation that made sense.
After listening to the eulogy in Philip Pegler’s lecture today about a man now being lionised and while wondering whether to write about this I received an email from a long standing virtual friend. Brian George has been the most generous supporter of my writing and we have communicated constantly for perhaps three years. He simply wrote to say that he did not realise I knew the poet Stephanie Wellen Levine but that she was a frequent visitor to his salon in Boston. He assumed I must! I had merely read her poem this morning. Yes and No.
Many years ago I wrote an imaginative story ‘The Obituary’ about a memorial service for Martin Israel when I knew he had died. My way of laying him to rest ( and getting small restitution). Since I had had no knowledge of him since that dreadful time I set it in a part of London that I know well. During this lecture today in which Philip Pegler was pegging out Martin Israel’s last years he named the church at which Martin Israel presided ‘Holy Trinity, Prince Consort Road’. The reason I know the area well is because my daughter was at The Royal College of Music, almost opposite. That was where the service happened in the story. So again today I discovered I wrote truth, without any knowledge of Martin Israel’s terminal career as a priest. Holy Trinity is right where I planted him. I knew but I did not know. Yes and No.
Evil denied, knowledge denied, mistaken identities all gathered up to weave with unerring synchronicity the links in the chain. It began with a poem and called up friends, the past and the clearest signposts of well thumbed evil in Bavaria. You could not put it in a novel and be taken seriously!
Mindblowing. Even though I knew all of that. When it strikes so coherently it affirms the Yes Yes Yes. As it Ought to Be. As it is.
P.S. The Milford’s ( my rescuers) daughter married the son of the Founder of Watkins Bookshop, and I gave a talk there three years ago. Nothing is for Nothing.
Addendum ( I hope you will read this because it changes everything.)
Many readers known to me, and perhaps a few that might find their way here will find this searing and personal post inappropriate. The conventions of blogs is to keep it light, general and, if personal, undemanding of emotional investment. I took some courage to defy all those because the circumstances of split second synchronicity arrested me and catapulted me back to a time when thought and outer event were constant companions. Hence the accusation of insanity. The co-ordinates to which I was (at that time) privy made living in time impossible. The ‘Power of Now’ when it is all there is ( for all its theoretical hype and mindfulness applications) is like being buffeted in a stormy sea. There is no anchorage if past and present are all equally available and indistinguishable. So MY first reason for sharing it was because it came as a reminder of the richest inspiration for my life and my work. If you recall I have called Involution ‘The Book that Wrote the Life’.
BUT to implicate the role of Martin Israel and more immediately to make his biographer Philip Pegler aware of an aspect that I suspected he might not know- might prefer not to know-was almost an act of cruelty. Why did I decide to contact him? I thought long and hard before I did but in the end gave him the choice to know- if he wanted to, precisely because my own illusions about Martin Israel’s infallibility had so endangered me (and punished others). My experience of Martin was not Philip’s, and I had to trust that he would sustain his own even when accepting mine differed. It was a huge risk that he might perceive me embittered or pointlessly destructive. What I hoped was to balance what had, from his lecture, seemed an unquestioning admiring and devoted eulogy.
I took a chance and he rewarded that risk with extraordinary generosity. Let me quote from his response. First of all – thank you for taking the trouble to write as you did. It cannot have been easy after all you have been through, and although you may find this difficult to believe, I am very glad you did so. I much appreciated the searing honesty of your carefully considered communication, even though it made distinctly uncomfortable reading late at night. It is quite true that I have long respected and admired Martin, feeling grateful for the wise counsel and support I have received over the years, but I would never wish to slip into the trap of heedless admiration of anyone. I have had far too much salutary experience of my own for that.
Philip went on.
Reading your extraordinarily gripping narrative, I can now properly understand just why you are so infuriated to hear anything approaching a eulogy, such as my talk must have come over to you. You see, until now I have never had reason to doubt Martin’s integrity as you have, but I must emphasise that I have also never been under the illusion that he was perfect – and indeed he never claimed to be so in his prolific writings, acknowledging his own failings and irascibility on numerous occasions.
Your well written account of events is thoroughly convincing and I would not presume to discountenance its veracity or evade darker aspects of Marin’s personality, including the probability of his repressed sexuality. Are you aware that he was physically abused as a child by his own father and openly acknowledged it with great sorrow towards the end of his life? He claimed to be a natural celibate, which may have been true enough as far as it went, but would also seem to represent an escape from a deeper part of his all too human nature, which he could not bear to face.
What this candour and ‘meeting with Philip’ has done is to offer not merely explanation, but to offer me the chance of compassionate forgiveness, and to dissolve the hard knots of gnawing perplexity. From some deep and buried horror of his past Martin felt the need to eradicate me. It was a rejection of himself, and I move from the prevailing anger that has dogged my life to pity and forgiveness.
For that I am truly thankful, truly liberated, and grateful for a secondary rescue, not from insanity but from bitter anger. I trusted the wrong man at the wrong time, and perhaps in the wrong way, with insufficient understanding of his vulnerability. It does not exonerate what he did but I must take some responsibility for tying my tossing craft to a deeply damaged tether. It broke. That’s all.
HOPE, TRUTH, FEAR, AND MY SPIRITUAL QUEST. YES!
By Stephanie Wellen Levine
Yes, I’m on a quest for truth, but only IF.
IF there’s a story behind the stories I see, I want to know.
A line of meaning running behind them.
A beam of concern.
Something.
The man in the grimy wheelchair begging for money by the Harvard Square subway
Pushing himself right up to people with his one leg, as if to ask:
Could YOU hold a job if you had a sawed-off leg
And eyes that watered from the slightest hint of sun?
The woman staring at her cappuccino at Crema Café
Laughing at the creamy heart added by the barista.
She touches the heart with her pinky
So lightly, making sure she doesn’t ruin it
And then takes out a book called On Losing a Child.